Ricoh Corp.

The weather was warm but the sessions were hot as more than 300 college and university print and mail managers got together in sunny Scottsdale, Arizona. College and university in-plants are thriving, and nowhere was this more apparent than at the recent Association of College and University Printers (ACUP) conference in Scottsdale, Ariz. This year's event, which marked ACUP's 35th year, broke new ground by partnering with the National Association of College and University Mail Services (NACUMS). As a result, a record 325 people attended the event, which was hosted by Arizona State University (ASU) and organized by Bob Lane, ACUP president, and

The leaders of the digital graphic arts industry converged in Boston recently to display their latest wares. Seybold returned to Boston this year after a two-year stint in New York—and what a homecoming it was. All the leaders of the digital graphic arts industry were on hand to show off their new technologies. Adobe, naturally, took a lead position at the show, as the father of PDF. Adobe President John Warnock and CEO Charles Geschke laid out their collective version of publishing for both print and the Internet during the exposition's opening keynote. Both Adobe executives stressed that publishers in the near future

Do your homework before switching to a digital copier. And consult with your IT folks to make sure you can network it later. "The buzz word impacting everyone is digital. Digital is here to stay." That's the word from Jeff Smith, director of consumer services for Buyers Laboratory, a Hackensack, N.J.-based consumer advocate for buyers of office equipment. But don't ditch that analog copier yet, Smith says. Although copier manufacturers are beginning the phasing-out process, analog copiers are going to be around longer than most people think. "It's not going to be a short-term thing," says Smith. "I believe it will take

Despite falling just a month after IPEX in England, this year's show drew more than 44,000 visitors—and the vendors didn't let them down. When graphic arts industry representatives from all over the world arrived in Chicago for Graph Expo recently, Xeikon decided to shock them a little bit. At a press conference, the Belgium-based digital color press manufacturer contended that digital color production costs are now comparable with offset at runs of 1,000 units or more. Based on a study Xeikon had commissioned, which used real costs and time factors in actual production environments, the company insisted that digital color presses have