Hamada Printing Press

Offset Presses Medium & Small Have It All
February 1, 2004

Large-press automation is now available on almost every model of medium- and small-format offset press. By Chris Bauer When it comes to automation, small- and medium-format sheetfed presses (up to 23x29˝) have just as many bells and whistles as the large presses—but for a lot less money. "The main features required by today's press buyer [are based on] automation," notes Mike Dighton, vice president of Hamada of America. "Auto plate loading, blanket washers, color consoles, including CIP3/4, are almost always asked for by our customers. The automation carries into prepress, as well." Hamada's new Impulse 452P is a 14x20˝ perfector. The Impulse runs at

Small Press, Big Opportunity
March 1, 2002

Small-format sheetfed presses now offer many of the features found on larger presses, such as increased speeds, automation and digital controls. by Caroline Miller There was a time when small-format sheetfed presses sat in the shadows. Workhorses, but nothing compared to their fast and flashy 40˝ brothers. Today, small presses are becoming the envy of the larger presses. The small press market has been the subject of intense technological development. As a result, small presses—ranging in size up to 20x29˝—now offer the features found on larger presses, such as increased speeds, makeready automation, networked systems and digital controls. This is great news for

Print 01 Technology Takes A Stand
November 1, 2001

Print 01 featured numerous innovations in prepress, offset and bindery technologies. Find out all about them in part two of our show report. &002;by Bob Neubauer Walking the show floor at Print 01 was a printer's dream. Presses were churning out color posters, software was being demonstrated on large screens for small crowds, books were being folded, stitched and trimmed—wherever you looked, something was happening. Though the September 11 attacks brought the show to a halt, show management said about 66,300 people attended overall. Vendors reported a number of sales. Heidelberg's NexPress subsidiary sold more than 70 NexPress 2100 presses, part of

Small, But Powerful
September 1, 2001

Small-format sheetfed presses now boast many of the features previously only available on larger machines. As the saying goes, "good things come in small packages." This is especially true for small-format presses. They provide a quality product with fast turnaround time, while meeting the requirements of a tight budget. Take A.B.Dick's 9995A-ICS, for example. A line extension of its two-color 9995 offset press, the 9995A has a semi-automatic plate loading feature for metal and polyester plates. The Ink Control System (ICS) allows for automatic adjusting of the ink fountains. "The 9995A-ICS gives a printer the ability and automation to produce four-color process work

Graph Expo Part I--The Future On Display
November 1, 2000

Graph Expo marked the debut appearance of many of the technologies unveiled at Drupa. After seeing so many new technologies displayed at the massive Drupa trade show in Düsseldorf, Germany, trade journalists found few surprises at the recent Graph Expo show in Chicago. But it was for printers, not journalists, that McCormick Place opened its doors—and they were certainly impressed. "I thought the show was very complete, with more than enough new things to see and want," remarked Don Davis, associate director of LSU Graphic Services, in Baton Rouge, La. He went to the show to look at prepress and computer-to-plate (CTP) equipment and

Drupa--Direct Imaging Takes Center Stage
June 1, 2000

Thousands of visitors flocked to Drupa 2000, the world's largest graphic arts trade show. IPG was among them. Find out what we learned about the direction the printing industry is heading. Everything worth seeing in the graphic arts world was at Drupa 2000. For two solid weeks, the world's printers crowded Düsseldorf, Germany's fairgrounds to visit some 1,669 exhibitors from 44 countries. In-Plant Graphics was there, finding out about the latest innovations and trends so we could share them with you. With 18 halls to visit, though, the task was a bit overwhelming. The most prevalent trend in the offset world was the move

Pressing Into 2000
January 1, 2000

Though most headlines are taken up by digital imaging equipment these days, offset vendors say they are still making a great impression. To print its heavy load of two-color, 11x17˝ work, Penn State Document Services traditionally used a 40˝ press. Director Michael Pierick, however, felt this was not the most cost-effective way to handle these jobs. To keep prices competitive, he knew he needed some new equipment. But despite the lure of digital devices, he decided to stick with offset equipment. "There was a clear benefit to us with respect to buying an offset device," says Pierick, who bought a two-color A.B.Dick 9995 last

The Future Of Offset
January 1, 1999

Will toner-based printing make offset obsolete? No way, say the offset experts. Offset will transform into a more user-friendly, more digital process. With the final year of the 20th century now well underway, offset press venders are beginning to turn their thoughts toward the future—and it's not as far off as you might think. For some time, the industry has been beset with hushed voices forecasting the potential demise of offset due to intense competition from digital printing. Not so fast, offset venders insist. The next few years, they say, will bring about new generations of presses so technologically advanced, convenient and attractively

Graph Expo--Roll Out The Technology
December 1, 1998

Despite falling just a month after IPEX in England, this year's show drew more than 44,000 visitors—and the vendors didn't let them down. When graphic arts industry representatives from all over the world arrived in Chicago for Graph Expo recently, Xeikon decided to shock them a little bit. At a press conference, the Belgium-based digital color press manufacturer contended that digital color production costs are now comparable with offset at runs of 1,000 units or more. Based on a study Xeikon had commissioned, which used real costs and time factors in actual production environments, the company insisted that digital color presses have